all right it’s going to be an exciting night at least to me I’ve been looking forward to this without experiment for a bit with different angles on electronic music my name is Joel aan ‘t Goor important the founder of awake origins which is a platform raising of consciousness among humanity so why didn’t you call night at the Amsterdam dance event because I think that music is a very profound and powerful tool to get closer to yourself to connect to yourself to connect with others to connect with nature and also

to celebrate life and I think all those aspects will be in this evening tonight to go to have several performances by awesome lineup of the agents of this I think but before we dive into their music are going to get to know them a bit better so I’ll start out calling them out our first guest of tonight as a kid he plays classical guitar he grew up with rock and hip-hop however he ended up as an explorer of magical dimensions in the electronic realms and he’s able to produce dreamy sounds as well as proper techno

I’ve been following his music for many years now I’m really excited about his newest word of it and I’m looking forward to his show tonight can I get a very warm welcome for Bryan Davis our next guest when she was 12 she bought her first house record at 16 she was deejaying in the hottest club of the Midlands and soon she found herself touring the world she’s globally seen as one of the first female pioneers of electronic music and I’ve gotten to know her as a very wise human being who has a true purpose in

what she brings to the dancing floor throughout her years the DJ sets in her own music and evolves and tonight’s will be treating us on I think it’s going to be an amazing special show together with Moses the singer instruments and dances can I get a very warm welcome for DJ pieces [Music] and then our last guest he’s a producer DJ Forester and bird-watching this music is negatives nature-inspired and all these tracks have the names of animals birds about a year ago I did an interview with him and beforehand I

thought okay his public image is it real when I met him I thought it is real and it is even more than this to me he’s an amazing example of living your purpose truly hidden from the inside out a living and an authentic life tonight becomes to experience to shelter him you start with an empty incentive and you will be the closer with some proper techno tonight give it up for Dominica Foyle better [Music] now that was a golden ollie of your Lance this sub-district was a golden ollie again yeah thank you for completing this special

night with us to be grateful for that what I would like to do is I would like to dive into your inspirations a bit more so what inspires you and the way you make music what do you bring across right if I can start with you um music my music is inspired by people like the concept of your whole evening here I’m constantly inspired by people by nature I use a lot of field recordings in the last year’s combining everything detriments made where units came from this is a lot of a lot part of my of my

music right now and also the evolution of digital since and effects that’s becoming very interesting so a lot of my in the air comes from from all this evolution of electronic music of how music can be done these can be achieved and this is a constant inspiration and how does that work with your field recordings and you just go out and you start recording and can you explain a bit more audience yeah actually you have this very nice mics there’s a field recorder you can get it in stores and you go out you try just to find

something very interesting you go into the woods and you correct some branches of a tree or you go through the leaves of autumn when it’s making all very interesting sounds really interesting – implemented in your music they have all these depths of room already which you digitally add with all the effects but the nature of those elements it’s already there so you have like a spectrum which you cannot because I already have not yet when you produce one to digital and also your ears become more open – when you walk through the

street or just somewhere in here like something interesting is I know I want to come back to this place record listen to someone incremented to your music you don’t do something about your newest track that special yeah releasing another track in November which has a recording of when I visited Colombia and I was on this hill in the mountains they have like interests there and it’s like Thorg as hand goes down and you hear that was fear of the whole place like you hear the sound dogs barking from far away and like a

motorcycle a little far away in this record starts with this sunset sound at you in the in the middle of the track to track breaks literally down in here you can like kind of dive into the sound into this moment that I just by listening to it combined was that a music that I produced behind it yeah awesome he says what is for you your inspiration well I get inspiration of many things but since it’s an intense event and DJs and producing music I clearly see kind of a ceremonial ritual going on and we

all have the chance to dance around fires under the stars but we get to simulate the situation in our clubs and in our defense actually it’s kind of a ritual in which we all bond together and that inspires me in love because the energy that comes together there and I think the music is very important role it’s not just the hypnotizing aspect of the repetitive element there but it’s also the unity because of the vibration of the sound and especially also the lack of words sometimes because it’s instrumental was of the times and that

takes your conscious to another level because as soon as people speak like now we are all listening to words which address or language center in our brain and it kind of nerves the perception if you have a open mind you can perceive whatever is there and if you go through the translation Center you will automatically address all kinds of great it is immunity in your life or associations rather be good or bad and that will not allow you to be you what’s there to perceive and it goes beyond the rational

or the emotional and it’s more like holistic way of sensing I guess and to me that is the greatest inspiration of what I’m doing that the unifying aspect really and how you how do you get destiny this in your music that unifying aspect how do you know if it’s working or not everything is it has its rhythm so what you do as a DJ and I guess as a producer to bid on a short term but as a DJ you try to prolong a certain pattern and weave it into a direction that will bring you to the point you want to

arrive at so depending on what the vibe is or if the starting point of the night they secure you live it or whatever would you choose to enjoy the music together it will develop from there and then you can build up to maybe an energetic explosion or a release of tension or maybe we’ll go through certain waves and in the end I think it’s always best to learn together you know if the situation will allow it to that’s that’s the ideal way to work you’ve been around now for more than 25 years DJ what what if you learn

throughout that is what works it doesn’t well did it and keeping and taking really and it’s not just transcending something or broadcasting or looking at things from a linear perspective like here was the performer there’s the crowd to me it’s all one really and yeah that energy exchange they do learn how to first give and then receive it’s a very good starting point to generate energy flow and if you’re younger you might not realize those things also because you may be brainwashed by all kinds of Western ideas they separate

consciousness basically by not looking at it as a unity or wholeness and if you learn to remember so most of us have learned by listening to music to realize but in the case then you can yeah I don’t know growing that’s and it just doesn’t just work with music of course it works with all kinds of energy events it’s a simple meeting between two individuals or the in nature or with animals United meant that everything has a frequency and if you learned how to light with your surroundings you can you

make community please we do celebrate because we can grow beyond your own personal peak by joining the energy if you donate what inspires you detective here the language of excellence is what you can never know of course we do you you will visited me that was and he saw living we’re in the middle of the nature very very small village it’s in nature reserve and of course they chance my big inspirations or nature for his greatest artists of oil if you look at the variety of colors and shapes I mean it’s

amazing and I without television and other media poisons so I have a very free mind free creativity and nature was my entertainment system especially birds butterflies when you look at the colors and forms and I go out into nature and try to be part of it in a contemplative way without willing to change anything and then a very heavy lotion is coming up me you saw a friend and when I see crazy bird I get really happy childish astonishment is coming differences or doesn’t matter what it is he gets excited yes

my favorite bird for example is the Kingfisher what so I saw it a few thousand times maybe because he’s breathing directly in front of my house every time I see this flying game gemstone and oh my God my God look at those calluses wow it’s touching my soul very deep and so then I go into my studio my studio was also in my house this Nature Reserve and then like a picture like that like painters painting a picture I tried to paint these emotions whisper music and you know this is homemade music basically because you

start out with a certain kind of bird or animal in your head and then you start creating right exactly like 20 years ago I started to do field recordings a little bit like Ryan said but for me this we don’t have a mesm you don’t have any steps everything has text in life and I got a lot of this because I sampled every animal and today it’s a indirect way like making music is nothing else than selecting out of infinity of options and playing this note resistor 2006 under sizer so I have a concept first like now

I finished the concept of my next I’ll go already it’s finished the cover you just release a new album last month and I just release it what work one month yeah but when I do music the the hard work and the track titles finished a long time before I started to music because that’s very different because otherwise I don’t know what music I want to do because there’s so many feelings what I want to express and I can I can tell you the concept of my next I vomit so we need to secret my manager baby kids my last

I took numerix you know maybe it’s called made many for witness manic fighter kite because I found to each number from 1 to 12 species name existing in the native fauna it’s big it’s hard to say in English it’s mayfly it’s a tax-free good but could be cash rectifier as a butterfly and so on the three-toed book would pick up maybe you know this but yeah and for my next album will be called Harvick hope means birth color because you can find two each color but species yeah so so the trek titles will be coughs best

oatmeal on plum is a gauge bottom who drink and so on and then I have this specific birth in my mind was just happy to us how does it live how does it behave was every species has a different cheese the only tourists age is how it’s moving like the sparrows are champing was two feet bastards I don’t know I was walking and this is relieving a different emotion in my mind and then I tried to interpret this was my music this is very subjective so maybe nobody knows that I generated to dormouse track number seven

because dormouse is spoiled is as a sleeper in German is a rodent he does hibernate much more longer than seven months sometimes ten or eleven years sometimes saying wake up and they they look if the trees have roots and if they don’t have roots they continue sleeping so let’s leave 11 months but if they are wake they are very Jewish climbers doing crazy stuff and they’re very very a deal and this is why the track this very happy happy Trek or on track 16 board Euler they operated to make them return e to Moses Moses

metamorphose yeah from the egg to the caterpillar to the patient with butterfly and the metamorphosis for me is one of the biggest miracles we have in nature they’re not very researched because the caterpillar is dying it’s killing itself with its digestive juices like 95% of the animal is dying only 5% survive which had no function as a caterpillar and out of this five percenter totally new being has been created so it’s like a miracle and this is making something with me when I think about it I get very thrilled Wow and

this giving me the power to to do the music and do you ever have animals which you then that you thought of them and something with a number two and then you have to make something that you find the creative process hard so that you switch this triangle in and what with another tool in there can you tell for example on your newest album with the vocals the first track I practically good idea fly yeah – bacon so you sit down to create that track yes thank you fortunately you feel it is hard to feel inspired 49 times bacon and

that you can switch the animal still with the number one white wire an artist which for you several of no for me every being has its sense but we’ve in a mechanist morphing ecosystem it’s it’s a gift of God I mean I’m not religious but I talk about how to better say it in English and it’s it’s it’s being we we have to laugh and we have to be thankful for so I’m interested in every edible I’m very curious boy and if I have a new animal that I work on I read as much as I can about this animal so I’m a real

expert in this afterwards and yeah for the example thing the the high-tech flea good I mean it’s living only one or even sometimes only if you are scissors why it’s called hydrography one day flies over germany and it’s the the larva is living aquatic and on one moment it’s releasing the water and you can hear it in the track the track is very wet a lot of effects and suddenly it gets dust try and it does not you each SMD Margaux as an adult insect and it’s it’s got Dom has no function it’s it’s doesn’t have even

opening because they don’t eat as an adult and it only stabilizing the insect someone every much this is inspiring you you also inspire us he can talk for hours about one year ago which is a short tour mr. Park about that Dominic was now in the Amsterdam needed to but the group of people who are clothing that night and he just talks for one hour about dancing has everything about that it is like every animal this is you told me your story about one of your new tricks but that’s a very special field

of recording as well you should well I do field recordings as well but this was an accidental field recording because we’re gonna do for a new release tonight with a new singer subjects and Jenna and as rugby player Vincent shoes we’re going to be in stage with the six of us in Tulsa anyway we were recording the singer and a solid player but the window was open and what I also I think I recognized from your story but I’ve said it before that nature starts to resonate with some so or actually all songs

each other maybe I should say that then phrases crickets for Earth they start to sing with rhythm patterns that are coming from Mysterio for instance and I really have the impression that happened there because um we were recording the same which of course is also like and then the birthday we’re going they were starting to fight with the singing and that all ended up in the recording because came to the same microphone so in the song is the birds singing and it’s really beautiful it’s like the the

intro and the outro the barriers are present yeah and often how organic and it’s a nature and modern technique and be combined in the proper way are we going to eat the birds tonight as well we’re gonna hear the birds after which species it is the you will know after this problem right yeah I guess so then they can be the color of their own attract do you want to know he says do you want to share anything else about the nice performance before tonight’s performance yeah well it’s going to be like kind of a hybrid said so will be

partly DJing partly live or we’re doing about free Frank’s I’m working with the mostess minor for the past two years on our act easy samosas and we’re using music and we just released a new trick so we’re going to play free trance in the end of the set and then we’ll have well the singer suddenly player and performers on stage together with the all of us Brian do you wanna share anything about your performance tonight yeah my life said that I’d perform tonight is special because I only performed one night set

in the last four years before this one was last year when I was asked by Riedel consoles to perform at phonecalls in Berlin and I only had seven hours to perform it because I worked before that night so it was like crazy getting a new Lac set going on but I managed it because I still had the experience of my last licence in a couple of years ago so yeah it was a very nice experience and since then I was looking forward to play life again I made me play hybrid sets so I don’t DJ anymore like normal I also

have like since stuff going on when I play on drum scenes Brown writes my program open so I can like do something on the run so this year this life set is very special it’s just for now there’s a lot of music you would never have heard before it’s not released yet air strikes that will probably never be released because I do a lot of music and a lot of music like stays on my computer that comes out ever so there was some music that comes out and some that and I have a track for example that I played

tonight it was max Cooper but it never came out but we had a session at my house in the night so via this is in there and I also worked with granular synthesis tonight it’s a his grains that were taken by sound it’s not anymore the sound itself it’s like grains that picked up in one sound wave so you don’t hear like a I don’t know if you clap in your hand you hear like one wave but granular synthesis is like grabbing only one point of it and you can like point points in different this is an interesting I have space

sounds in there from the NASA library so you hear in the beginning some sounds of Saturn and Jupiter are some some echoes of their rings and it’s run through this granular stuff and I’m having additional to this metro or sounds that I have in all of my music now maybe it’s like The Lancet song is like breathing out with like grass and stuff that is also into this granular process yes so it’s a it’s a special thing for me to share it tonight for the people that are listening to it and now we don’t hear

the Colombian experience in there as well yes it’s actually the last song so you will definitely dive into the Colombian sunset it’s called nightfall so you will have the nightfall experience probably when you listen to it and when it goes out yep you’d open it what can you expect for your two performances of requested a it can’t be more different I think yes first I play a very contemplative a medicine but ambient sets in seen as a ambient Center so a lot of people say says ambient but for me it’s not ambient

and I think you cannot show also some visuals to it it will be pitiless music because it’s like like like a medicine music like a medicine because we know today music is older than speech and when we talk more sigh part of the brain is active when we make music the main part of the brain is active we have a voice which is able to do three or four octaves I can’t what I won’t sing now but for speaking we already need one and people who had a track up five processes what is Latin for stroke people who had

a stroke they cannot talk anymore but they can make music so we know that using is a communication tool and when I do music I want to communicate with the people and the first set I want to bring everybody in the transcendental meditative state and I think this is a very good way to start a party like I hate when I come at the club and that’s already a domestic ESCO ESCO prism running like I used I have a vault very old-school DJ at each entrance 26 years now also and I lived I have been that woman in Frankfurt with spreadsheets and

the beginning of the 90s there was also always ambient running for two hours and then when the first bass drum came it was so intense Wow so it’s I’m a friend of building it up very slow so looking forward to do this set I got some people already came from Balaban apprentice so it’s a good way to reset Sam to put zero again to defragment eight the brain awesome this will be the name of my first step and the second set I gotta play some tracks of my new album also some you will remix us maybe we would have

wonderful to remix the piece was just like might against recondite and so on and I start kind of slow but then we can do some party and we will have some fun are there any questions from you for these wonderful artists do we have an extra mic like I make a little bit of music myself and sometimes I find it hard to like your neighbor shouldn’t groove and you kind of like it but you’re not super satisfied like how do you find the balance with not letting the perfect like perfect shouldn’t be the enemy of

good enough but in the other end like really reaching your level of quality that you’re looking for if you can the phone was a question for anybody who feel any better than anybody have an answer one more minute okay I start yes I mean as I said using is nothing else and selecting out of infinity of options and when you’re finished for me it’s very easy I make music with Cubase and I make I compose as many tracks SSCP who is clipping in the regression area and nothing is possible anymore then I stop

and then I start to arrange the trick I’m not very experienced producer has been making music but always with other producers and I personally always do it generally around first make something that inspires me that I really want to hear all the time and then and decide what should be around it in order to make it for instance that’s for another full frame coherent story and so again I just use something as a guidelines some ingredient yeah for me I think it’s um if you already have the song would you not get

further you should just let it rest basically a lot of ideas are just coming by playing around so you have a sketch and you maybe don’t want to get further so you leave it and you go back to it later or you have something that you are stuck in and just leave it or delete something that you don’t feel right with so there’s a new idea that can come basically that’s like a run of stuff if you have an idea it’s coming like fast or you just play around but you don’t want to have an idea so it’s just coming

by accident but may if something is there you feel it and if you don’t feel it in the track you probably should just start over and come back later to the track and not force it too much or you really lost the track I had that a couple of times I loved the track I go back I go back I go back I finish it in one year but basically it’s good to just start you and sometimes it’s even just having a pause while you don’t want to have one just go away set your mind on something else and then in the next moment you’re

like oh my god I have this idea I have to run back right now so yeah this is how to me and one one more tip try to do the music you can do the best I mean a lot of young producers say look what it’s popular at the moment are Pettus popular Stefon Watson is popular then we have another copy of another copy of another copy and this is this [ __ ] I mean good music only makes sense if you really have something to say and when you do its intrinsic out of yourself into it justive way anything accomplished if

you do move if you do it when the way is the goal then you’re doing it with a lot of passion and this is the most efficient way because nobody else can make music that you can do so – depends if you you want to do which is coming out of you yeah I agree right you even just said before we cannot be a did that you said I ask you what kind of music do you listen to and you said well I don’t really stick something musically into jazz and it’s a lot of stuff right yeah exactly um I think I mean I doesn’t like crazy

to electronic music like over years and years and years I think at one point you I think if you start to filter more and more you there’s something in your brain happening yes I think it’s when you start out with like having pizza from the supermarket and then my family was not really into cooking a lot so when I started to travel around and DJ more in the world I started to eat like well prepared food I got into cooking and there’s a lot more ingredients to it to it that I haven’t known before and I think it’s somehow

it’s really hard to go back from that you can still do it for a small amount but basically your mind is already set to something to a taste that you evolved during the years so yeah I also like to rest my mind from electronic music or let’s say dancefloor is the Orient oriented music and I’d like to have classical music and jazz music and all this different varieties of my life to also be inspired back again what I can combine it and I try music because electronic music not only has to be functional that’s what do you see in the

big sales of the parties but big big part beside that which you can explore and which is very interesting we have another question I think over there hi I was wondering if you ever write tracks that you actually do not publish at all just gonna keep rehearsal and why is that and you know philosophy is like there’s a lot of feelings that you get from music when you go to a party I mean you’re there dancing and the princess when I hate your music it’s like you get this uplifting feeling so many times when you

feel happy what is it me neither makes people happy over making like in a dark laser or a sound or something well how do you put those emotions music so when I transmit data they have the same thing yeah yeah this is also something Volusia nari while some music is making people happy and why some music is making big good set we can go to any cultures even in the Amazonas people who never saw iphone they can say this is happy music this is set music this has something to do with their hairs in the years and

this is why we have the tool and the model of scale and I mean it which would lead to far to explain it or detail but in the past we have a long term mind of of totes but a good example is when I scratch with a fork on a dish what does it make this music I don’t like this noise very uncomfortable but why why is this noise uncomfortable what what do you think make a guess know what why the frequency theirs even higher frequencies and it’s not so loud why why is this frequency especially is so uncomfortable

yeah not so bad yeah yeah yeah yeah yeah it reminds us something nope the scientists found out when you look at the spectrogram I mean it’s not a tone it’s the sound a sound is consisting out of different frequencies there’s a monkey species which still [Music] don’t know not how anxious anxious does ancestors sovereign language and sisters live in Africa they do this scream and we know you we open beings we come from Africa like 12 2.8 billion years ago our and just Angeles ancestors lived in Africa and the boss is monkey when you

did the screen they know oh there’s something bad coming like a tiger so we we save this in our genes and this is also saved our genes while using is making us happy you’re set and when I make music I use a lot of these tricks to do happy or sad music for example I said we can say vocal like a oh and I look at the formats for my comments these are the resonance frequencies it’s always a turrets or Clinton defense we see cats cats cats cats cats or Quinton so when you play the piano the turrets decorating you Oh whoo so this is very

simple if you know it once when I compose a melody I use a lot of this evolutionary tricks to make you happy for yourself I’m music that you create of course sometimes I do shitty music to release some tension sometimes I do like trance music or really bumping 135 BPM techno and it’s very healthy to do this because I’m not quite doing it and you know it has no purpose it has to satisfy your body and you you also have to play around like a child because then you are evolving when you only would start to do

music and now this has to be a good track how can you develop something new you will come yourself always so I think it’s very important to do music for not releasing purpose they are the same experience yes I also believe that some that you’re working towards project and it as a certain theme get me the birds or the insects or whatever your theme is and then you make it right that W doesn’t fit it then you decide well put it on the shelf you know and see if there will ever be a moment that it does make sense

to release this but there’s also other things like a recording that’s not high quality enough of something you really like but in the end if you start working this video really like well this you can’t believe it’s just not good enough but the the composition gap between that and the ingredients that would live up to a single standard do you also do a shitty music on purpose no really I’m just happy effective and have time to do I like to do sometimes do it with a friend I have a good friend and some

people like to set up at his home and sometimes you just like to mess around like it’s like raps pitch and a lot of funky it’s a lot of fun but for me music to make music started out of experimenting and playing around and I’m happy that I walked this way not as a lot of other people I think now are influenced by a certain style and I think they have to work for that style to have like success or whatever for me it was always playing around fooling around finding out something new that I didn’t do before or just by just doing

something weird something comes out that I did not expect myself so for me it’s the the most important rule to the music thing well let don’t lose them playing around because that’s the fun of it and if you are too focused on have a certain then you probably lose some fun in your process and you might become maybe even boring because as Dominic said you start to copy yourself instead of exploring your arrogance and sound maybe one more thing this is also why I never use templates I always start completely new and new

Trump sounds nuisance sounds and a lot of other artists they use templates so they are open a new project and they already have to move baseline than an 808 cake and so on of course then you can have a recite much more quicker but then you are not leaving your usual pass and this will be very boring and I always try to explore to explore my borders to invent new sounds [Applause] because this is also making a family I do a lot of acoustic recordings I made not just an HR much in advance anymore

as I told you but I sometimes I built like skytruss and then I throw something inside I can put bottles and wood sticks and metals and then that take a golf ball and throw it inside then it’s everything is falling apart and this is creating my cool result like this I record and just stupid and the beat is finished so yeah as Ryan said you have to make when you have found when your why doing music this is good because anyone here now and we should be in here now this is what we are here that’s why we’re living

we have fun to enjoy I always say life is like a candy store and it’s not to do some shitty work and also it’s when you have fun other people will understand this point in the world is good music because it was not made under pressure or and fear I don’t know how to pay my rent I have to do a track and you can hear this this music and this is what people doesn’t want to hear they don’t have that take stuff off entik music exactly another question don’t make your last album you counted from 1 to 12 with animals in German how

far could you have gone with animals if you had to freedom to fill another album and how how many animals ordered with the numbers I don’t know I I when I work with nature I only work with native species with native species Armenian euro I don’t like tropical animals and the this has I was thinking a lot about this why I don’t like this when somebody is giving me t-shirt and there’s a tropical part of it or is it I don’t want it I have very deep dislike dances I was thinking a lot about this why I and why

I’m such a Nazi there and I think the reason is why that I’m a bit of a bit of autistic I would say I have to understand everything and what I can’t understand making me afraid and in Europe we have 30,000 animal species I know them almost on so this is something I can control and I can categorize very well and in the world I mean tropical there are millions legs we don’t know if you don’t know yet like 12 30 million species and this would make my brain that you know and yeah and but to answer your question

the this thing is the autonomy of animals it’s always me me wrote yeah like like a package you can cut in the middle of a road so that the road so it’s much more easy to find animals with numbers with even numbers even numbers thanks to find Edwards was even numbers and this was the reason why as a prison about worth because I didn’t found a bird for a bastard and a surgeon then I stopped pretty sure of course for number 14 I would have found a ladybug also but I thought it is enough also for a lot of

numbers I thought very different species and I had to select four for one and one also one animal I cheated a bit might be exactly now by lavenders was also the problem with a mirroring autonomy of an abandoned building structures and eleven it’s called a fine flesh be a she and if means eleven in English but I should – what’s what – something else how’s it Dutch elephant you said it combined let me like diddle offensive elephant bye what’s English tasks no but the material ivory yeah okay I’ve already done yeah

so I changed it to [ __ ] him of course it would have been the left point ladybug of course but I already used it for number 10 we’re going to the first performance now and tell me is there anything you’d like to share before you start from floor more ambient for performance I don’t know what Wizards will show I don’t know maybe one mistake I think they will show the the insects will you show the insects sub-sub yeah there’s a few cents I want to tell you about the insects because I did raising

awareness with use for insect because basically we’re living on a planet of insects insects we’re the first animals on the land for over eight years ago and eighty percent of all species are insects and they’re very we should be very thankful because they’re very do a lot of services our ecosystem which will benefit from every day like the air we are breathing it’s made of plants but since X they’re building up the soil they’re building up the – [ __ ] I don’t know how to say and yet but we are not treating them with

respect they are reserved we are smashing them with newspaper on the breakfast table and this is why I took some photos of insects on high level to show the individual individual and this is should correct the displaced position we have on them that is something where you can that you can have revived if you see them don’t say the spider or comply look look into the highest of the animals try to connect with them from being to being you are being and insect is being try to connect with them and

look what it makes with you thank you can I get a big applause for [Applause]